Ernest Bramah’s ‘The Wallet of Kai Lung’ is a charming and witty collection of Chinese-inspired short stories, written in a style reminiscent of traditional Chinese storytelling. The book features tales of cleverness, humor, and deception, with a focus on the power of words and wit in outsmarting adversaries. The intricate plots and clever wordplay make this book a delightful read for those interested in Eastern culture and storytelling traditions. Bramah skillfully weaves together elements of fantasy and satire, creating a unique and captivating narrative that transports readers to the mythical world of Kai Lung. The stories are infused with moral lessons and philosophical reflections, adding depth to the seemingly lighthearted tales. Bramah’s attention to detail and his ability to create a vivid and immersive setting showcase his skill as a master storyteller. Recommended for those who enjoy light-hearted and thought-provoking literature, ‘The Wallet of Kai Lung’ is a timeless classic that continues to enchant readers with its wit and charm.
A propos de l’auteur
Ernest Bramah, born Ernest Bramah Smith on March 20, 1868, in Manchester, England, was a prolific English author known for his inventiveness and varied literary range. Bramah delved into different genres, including science fiction, fantasy, and detective stories, but he is best acknowledged for ‘The Wallet of Kai Lung’ (1900), which introduced readers to his enduring creation, the itinerant storyteller Kai Lung. This work set a precedent for the blend of fantastical narratives and mock-oriental tales that characterized his writing style. ‘The Wallet of Kai Lung’ is a series of whimsical and intricate stories, teeming with clever aphorisms and paradoxes, which won him critical acclaim and a distinguished place in early 20th-century literature. Through Kai Lung, Bramah offered a unique narrative voice, blending archaic language with a comedic touch that both entertained and subtly critiqued social norms. Bramah’s work is marked by his wit, his fondness for the exotic, and his mastery of a pastiche of literary styles. Although eclipsed by his contemporaries in his time, modern re-evaluations of Bramah’s literature recognize the unique contributions he made to English letters. He passed away on June 27, 1942, leaving behind a legacy of literary innovation that continues to enchant new generations of readers.
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