Providing a wide-ranging account of the narrative properties of photographs, Greg Battye focuses on the storytelling power of a single image, rather than the sequence. Drawing on ideas from painting, drawing, film, video and multimedia, he applies contemporary research and theories drawn from cognitive science and psychology to the analysis of photographs. Using genuine forensic photographs of crime scenes and accidents, the book mines human drama and historical and sociological authenticity to argue for the centrality of the perception and representation of time in photographic narrativity.
Table des matières
Introduction
Chapter 1: A Different Kind of Look: Picturing Narrative
Chapter 2: What Narrative Is
Chapter 3: Made for Each Other: People and Photography
Chapter 4: Time
Chapter 5: The Eternity of a Moment: Evidence
Chapter 6: A Cognitive Turn
Chapter 7: Scripts and Schemata
Chapter 8: Possible Worlds
Postscript
A propos de l’auteur
Alfredo Cramerotti is a writer, curator and editor working across TV, radio, publishing, writing and exhibition making. He co-curated Manifesta 8, the European Biennial of Contemporary Art, 2010, the Maldives Pavilion and the Wales Pavilion at the 55th Venice Art Biennial, 2013, and the 4th Trienala Ladina in South Tyrol in 2013. He directs MOSTYN, Wales’ leading contemporary art institution, and the itinerant projects AGM Culture and Chamber of Public Secrets (CPS). He is Research Scholar at the European Centre for Photography Research, University of Wales, Newport, and Editor of the Critical Photography series by Intellect Books. His own publications include the book Aesthetic Journalism: How to Inform without Informing (2009) and Unmapping the City: Perspectives of Flatness (2010).
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