American culture has been one of the most controversial exports of the United States: greeted with enthusiasm by some, with hostility by others. Yet, few societies escape its influence. However, not all changes should be interpreted simply as ‘Americanization.’ The shaping of the postwar world has been much more complex than this term implies as is shown in this volume that explores the links between Americanization and modernity in Western Europe and Japan. In considering the impact of products and images ranging from movies and music to fashion and architecture, a multi-disciplinary group of contributors asks how American culture has been employed internationally in the articulation of postwar identities – be they national or subnational, socially sanctioned or socially transgressive. Their essays on France, Italy, Germany and Japan move beyond the simple paradigms of colonization and democratic modernization, yet retain a sensitivity to the asymmetries in the postwar power relationships between these countries and the United States. An extensive introduction historically locates changing interpretations of American influences abroad and suggests the problems and promises of ‘Americanization’ as an analytical tool. Its comparative focus and interdisciplinary scope will appeal to a wide range of students and scholars of cold war and post-cold war history.
Table des matières
List of Illustrations
Acknowledgements
Notes on Contributors
Introduction: Americanization Reconsidered
Heide Fehrenbach and Uta G. Poiger
PART I: TWENTIETH-CENUTRY MODERNITIES
Chapter 1. America in the German Imagination
Mary Nolan
Chapter 2. Comparative Anti-Americanism in Western Europe
David W. Ellwood
Chapter 3. Surface Above All? American Influence on Japanese
Botond Bognar
PART II: DRAWING CULTURAL BOUNDARIES, FORGING THE NATIONAL
Chapter 4. Persistent Myths of Americanization: German Reconstruction and the Renationalization of Postwar Cinema, 1945-1965
Heide Fehrenbach
Chapter 5. No More Song and Dance: French Radio Broadcast Quotas, Chansons, and Cultural Exceptions
James Petterson
PART III: TRANSNATIONAL STYLINGS: AMERICAN MUSIC AND THE POLITICS OF IDENTITY
Chapter 6. American Music, Cold War Liberalism, and German Identities
Uta G. Poiger
Chapter 7. Jukebox Boys: Postwar Italian Music and the Culture of Covering
Franco Minganti
Chapter 8. The Social Production of Difference: Imitation and Authenticity in Japanese Rap Music
Ian Condry
PART IV: DE-ESSENTIALIZING ‘AMERICA’ AND THE ‘NATIVE’
Chapter 9. Learning from America: Postwar Urban Recovery in West Germany
Peter Krieger
Chapter 10. The French Cinema and Hollywood: A Case Study of Americanization
Richard F. Kuisel
Chapter 11. Waiting for Godzilla: Chaotic Negotiations between Post-Orientalism and Hyper-Occidentalism
Takayuki Tatsumi
Select Bibliography
Index
A propos de l’auteur
Uta G. Poiger is Assistant Professor of History at the University of Washington, Seattle.
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