‘These essays catalyze a vital critical dialogue about how the "real" world of publishing and book production reflexively shaped the Woolfs’ aesthetic and political worldviews… important reading not just for Woolf critics, but also for those more generally interested in the history of the book, modernist publishing, network theory, and cultural studies.’Alice Staveley, Stanford University, Woolf Studies Annual This multi-authored volume focuses on Leonard and Virginia Woolf’s Hogarth Press (1917-1941). Scholars from the UK and the US use previously unpublished archival materials and new methodological frameworks to explore the relationships forged by the Woolfs via the Press and to gauge the impact of their editorial choices on writing and culture. Combining literary criticism, book history, biography and sociology, the chapters weave together the stories of the lesser known authors, artists and press workers with the canonical names linked to the press following a ‘rich, dialogic’ forum or network. The book brings together a wide range of thematic material in three sections – ‘Class and Culture’, ‘Global Bloomsbury’ and ‘Marketing Other Modernisms’. Topics addressed in the book include imperialism, the middlebrow, religion, translation, the marketplace and poetry, with case studies on West Indian writer C.L.R. James, Welsh poet Huw Menai, child poet Joan Easdale and American artist E. Mc Knight Kauffer. This original collection will contribute to three vibrant sub-fields now remaking twentieth-century scholarship: print culture, modernist studies, and Woolf studies.
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