Long hailed as a classic of American nature writing, Henry Beston’s eloquent chronicle of a solitary year spent on a Cape Cod beach was written in longhand at the kitchen table, in a little room overlooking the North Atlantic and the dunes. In 1926 Beston retreated to the outer beach at Eastham in search of peace and solitude. What began as a two-week stay lengthened into a year spent keenly observing the rhythm of the seasons and life on the Great Beach. The Outermost House played a part in establishing the Cape Code National Seashore and has profoundly influenced subsequent nature writers, including Rachel Carson, Joseph Wood Krutch, Annie Dillard, and Barry Lopez. This Warbler Classics edition includes an essay by Allan Burns on the art and legacy of The Outermost House as well as a detailed biographical timeline.
Table des matières
Contents
Chapter I. The Beach
Chapter II. Autumn, Ocean, and Birds
Chapter III. The Headlong Wave
Chapter IV. Midwinter
Chapter V. Winter Visitors
Chapter VI. Lanterns on the Beach
Chapter VII. An Inland Stroll in Spring
Chapter VIII. Night on the Great Beach
Chapter IX. The Year at High Tide
Chapter X. Orion Rises on the Dunes
The Art and Legacy of Henry Beston’s The Outermost House by Allan Burns
Biographical Timeline
A propos de l’auteur
Allan Burns earned a Ph.D. in English literature at Penn State University and taught at university level for a number of years before moving into the nonprofit sector. He has edited many books, including Phoebe Snetsinger’s Birding on Borrowed Time (2003) and three major anthologies of haiku: Montage (2010), Haiku in English (2013), and Where the River Goes (2013). His own collections of haiku include Distant Virga (2011) and Earthlings (2015), and he has published many articles and reviews. A longtime vegan and animal rights activist, he works as a senior editor for the Foundation to Support Animal Protection and lives in the Rio Grande Valley of New Mexico.
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