A woman turns into a piece of furniture (Theodor Fontane’s Effi Briest); a writer of children’s books takes photos of naked little girls (Lewis Carroll); Mont Blanc becomes the maternal breast (Shelley); Hamlet mistakes Ophelia for a phallus (Lacan’s Hamlet seminar); and mom turns out to have thermonuclear arms (Laurie Anderson’s United States). Reviewing the ways in which women have been fantasized in nineteenth- and twentieth-century Western culture, Herman Rapaport offers a series of brilliant insights into the concept of the fantasm in modern art.
A propos de l’auteur
Herman Rapaport holds the Helen L. De Roy chair in the Department of English at Wayne State University.
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Langue Anglais ● Format PDF ● Pages 312 ● ISBN 9781501729591 ● Taille du fichier 14.9 MB ● Maison d’édition Cornell University Press ● Lieu Ithaca ● Pays US ● Publié 2018 ● Téléchargeable 24 mois ● Devise EUR ● ID 6433627 ● Protection contre la copie Adobe DRM
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