Important and wide-ranging studies of the ideological exploitations performed by and upon the medieval romance.
As one of the most important, influential and capacious genres of the middle ages, the romance was exploited for a variety of social and cultural reasons: to celebrate and justify war and conflict, chivalric ideologies, and national, local and regional identities; to rationalize contemporary power structures, and identify the present with the legendary past; to align individual desires and aspirations with social virtues. But the romance in turn exploitedavailable figures of value, appropriating the tropes and strategies of religious and historical writing, and cannibalizing and recreating its own materials for heightened ideological effect. The essays in this volume consider individual romances, groups of writings and the genre more widely, elucidating a variety of exploitative manoeuvres in terms of text, context, and intertext.
Contributors: Neil Cartlidge, Ivana Djordjevic, Judith Weiss, Melissa Furrow, Rosalind Field, Diane Vincent, Corinne Saunders, Arlyn Diamond, Anna Caughey, Laura Ashe
As one of the most important, influential and capacious genres of the middle ages, the romance was exploited for a variety of social and cultural reasons: to celebrate and justify war and conflict, chivalric ideologies, and national, local and regional identities; to rationalize contemporary power structures, and identify the present with the legendary past; to align individual desires and aspirations with social virtues. But the romance in turn exploitedavailable figures of value, appropriating the tropes and strategies of religious and historical writing, and cannibalizing and recreating its own materials for heightened ideological effect. The essays in this volume consider individual romances, groups of writings and the genre more widely, elucidating a variety of exploitative manoeuvres in terms of text, context, and intertext.
Contributors: Neil Cartlidge, Ivana Djordjevic, Judith Weiss, Melissa Furrow, Rosalind Field, Diane Vincent, Corinne Saunders, Arlyn Diamond, Anna Caughey, Laura Ashe
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Table des matières
Introduction – Laura AsheThe Fairies in the Fountain: Promiscuous Liaisons – Neil Cartlidge
Saracens and other Saxons: Using, Misusing and Confusing Names in
Gui de Warewic and
Guy of Warwick – Ivana Djordjevic
The Exploitation of Ideas of Pilgrimage and Sainthood in
Gui de Warewic – Judith Weiss
Chanson de Geste as Romance in England – Melissa Furrow
Patterns of Availability and Demand in Middle English Translations
de romanz – Rosalind Field
Reading a Christian-Saracen Debate in Fifteenth-Century Middle English Charlemagne Romance: The Case of
Turpines Story – Diane Vincent
Subtle Crafts: Magic and Exploitation in Medieval English Romance – Corinne Saunders
Meeting Grounds: Gardens in Middle English Romance – Arlyn Diamond
‘Als for the worthynes of þe romance’: Exploitation of Genre in the
Buik of Kyng Alexander the Conquerour – Anna Caughey
Sir Gawain and the Green Knight and the Limits of Chivalry – Laura Ashe
A propos de l’auteur
LAURA ASHE is Professor of English at the University of Oxford and Fellow and Tutor at Worcester College, Oxford.Achetez cet ebook et obtenez-en 1 de plus GRATUITEMENT !
Langue Anglais ● Format PDF ● Pages 202 ● ISBN 9781846157882 ● Taille du fichier 5.1 MB ● Éditeur Ivana Djordjevic & Judith Weiss ● Maison d’édition Boydell & Brewer Ltd ● Lieu Woodbridge ● Pays GB ● Publié 2010 ● Téléchargeable 24 mois ● Devise EUR ● ID 9053687 ● Protection contre la copie Adobe DRM
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