Catalog > Science spirituelle > Art / Architecture > Photographie, film, vidéo, télévision > Jackson Kevin Jackson: Lawrence of Arabia (ePUB)

Jackson Kevin Jackson
Lawrence of Arabia [EPUB ebook]

Support

Couverture du Jackson Kevin Jackson: Lawrence of Arabia (ePUB)

Lawrence of Arabia is widely considered one of the ten greatest films ever made – though more often by film-goers and film-makers than by critics. This monograph argues that popular wisdom is correct, and that Lean’s film is a unique blend of visionary image-making, narrative power, mythopoetic charm and psychological acuteness.

€15.10

Achetez cet ebook et obtenez-en 1 de plus GRATUITEMENT !

Langue Anglais ● Format EPUB ● Pages 127 ● ISBN 9781838716868 ● Maison d’édition Bloomsbury Publishing ● Publié 2019 ● Téléchargeable 3 fois ● Devise EUR ● ID 8130560 ● Protection contre la copie Adobe DRM

Nécessite un lecteur de livre électronique compatible DRM

Plus d’ebooks du même auteur(s) / Éditeur

Jackson Kevin Jackson Kevin Jackson

26 110 Ebooks dans cette catégorie

Couverture du Jesse Schotter: Hieroglyphic Modernisms

Jesse Schotter: Hieroglyphic Modernisms

Explores hieroglyphs as a metaphor for the relationship between new media and writing in British modernism In the British Museum, one object attracts more tourists than any other: the Rosetta Stone. …

Couverture du Armen T. Marsoobian: Reimagining a Lost Armenian Home

Armen T. Marsoobian: Reimagining a Lost Armenian Home

For nearly a century, members of the Dildilian family practiced the art of photography in Ottoman Turkey, Greece and the United States. This book contains over 300 photographs, most taken during the …

Couverture du Ian Hunter: British Trash Cinema

Ian Hunter: British Trash Cinema

BRITISH TRASH CINEMA is the first overview of the wilder shores of British exploitation and cult paracinema from the 1950s onwards. From obscure horror, science fiction and sexploitation, to art-hous …

Couverture du Ian Christie & Andrew Moor: The Cinema of Michael Powell

Ian Christie & Andrew Moor: The Cinema of Michael Powell

The films of Michael Powell (1905-90) and Emeric Pressburger (1902-88), among them I Know Where I »m Going! (1945), A Matter of Life and Death (1947) and The Red Shoes (1948), are landmarks in Britis …

Couverture du Catherine Constable: Thinking in Images

Catherine Constable: Thinking in Images

Thinking in Images addresses the current crisis in film theory by offering a new methodology for interrelating theory and film texts. Drawing on the groundbreaking work of Michele Le Doeuff the autho …

Couverture du Alastair Phillips & Ginette Vincendeau: Paris in the Cinema

Alastair Phillips & Ginette Vincendeau: Paris in the Cinema

»Paris in the Cinema » offers a new approach to the representation of Paris on screen. Bringing together a wide range of renowned French and Anglophone specialists in film, television, history, arch …

Couverture du Emily Carman & Philip Drake: Hollywood and the Law

Emily Carman & Philip Drake: Hollywood and the Law

Since the earliest days of cinema the law has influenced the conditions in which Hollywood films are made, sold, circulated or presented – from the talent contracts that enable a film to go into prod …

Couverture du Ernesto R. Acevedo-Munoz: Pedro Almodovar

Ernesto R. Acevedo-Munoz: Pedro Almodovar

The book provides a detailed introduction to the essential themes, style, and aesthetics of Pedro Almodovar »s films, put in the context of Spain »s profound cultural transitions since 1980. With pre …

Couverture du Prof James Chapman: Contemporary British Television Drama

Prof James Chapman: Contemporary British Television Drama

The early twenty-first century has seen the emergence of a new style of television drama in Britain that adopts the professional practices and production values of high-end American television while …

Couverture du Robert B. Pippin: Douglas Sirk

Robert B. Pippin: Douglas Sirk

It would be easy to dismiss the films of Douglas Sirk (1897-1987) as brilliant examples of mid-century melodrama with little to say to the contemporary world. Yet Robert Pippin argues that, far from …

Page suivante >>>