Carnival Texts comprises three related dramatic works, all of which have as their point of departure Russian theorist Mikhail Bakhtin’s concept of carnival, a literary style designed to subvert dominant assumptions through chaos and humour. Making creative use of post-Brechtian performance theory, these texts blur the distinction between spectator and performer in a fascinating exploration of physical, moral and cultural upheaval in a postmodern age. Performance theory is crucial to understanding how performance affects collective understanding, and this book will be of interest to a broad range of students of drama and theatre.
Table des matières
Preface
PART ONE: TEXTS
Strangers to Paradise
Brides, Bombs and Boardrooms
Fete
PART TWO: ESSAYS
Fear into Laughter – James Mac Donald
Bodies in Pain: Realism and the Subversion of Spectacle in Brides, Bombs and Boardrooms – John Lutz
Blowing Up the Nation: Vulnerability and Violence in James Mac Donald’s Post-national England – Jessica O’Hara