In a series of spotlight essays and illustrated scene reviews, a cast of seasoned scholars and fresh new voices explore the vast range of films – encompassing drama, madcap comedy, martial arts escapism and magical realism – that have been set in Beijing. Unveiling a city of hidden courtyards, looming skyscrapers and traditional Hutong neighbourhoods, these contributors depict a distinctive urban culture that reflects the conflict and tumult of a nation in transition. With considerations of everything from the back streets of Beijing Bicycle to the forbidden palace of The Last Emperor to the tourist park of The World, this volume is a definitive cinematic guide to an ever-changing and endlessly fascinating capital city.
Table des matières
Maps/Scenes
Scenes 1-8 1972 – 1993
Scenes 9-16 1993 – 1997
Scenes 17-24 1997 – 2001
Scenes 25-32 2001 – 2004
Scenes 33-39 2004 – 2007
Scenes 40-46 2007 – 2011
Essays
Beijing: City of the Imagination – John Berra
Confined Spaces: Conflict within the Squares and Courtyards of Qing Dynasty Beijing – Joann Huifen Hu
Feng Comedy: Beijingers in a Transitional – Era Liu Yang
Made in China: The Production of Red Light Revolution (Sam Voutas, 2010) – Sam Voutas
Navigating Beijing: Dreamers, Drifters and Drivers – Mariagrazia Costantino
The State of Things: Political Power in Beijing – Yomi Braester
Zhang Yuan’s Urban Cinema: Transitional Cityscapes and Peripheral Lives – Dave Mc Caig
A propos de l’auteur
Liu Yang is a lecturer in Film Studies at Nanjing University, where she specializes in contemporary Chinese cinema and the history of western cinema. She received her Ph.D. in Film Studies from Beijing Normal University in 2009. She is the co-editor of World Film Locations: Beijing (Intellect, 2012) and has published articles in various Chinese academic journals, such as Contemporary Cinema, Journal of Beijing Film Academy and Journal of Nanjing Art Institute.
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