Explores the relationship between philosophy and art through the work of Cuban American artist Carlos Estévez.
Is philosophy hopelessly opposed to art? Images of Thought answers negatively, claiming that visual images can be used effectively to grasp complex thoughts, and philosophy can be deployed to deepen our understanding of art. Jorge J. E. Gracia provides philosophical interpretations of seventeen works by the Cuban American artist Carlos Estévez that engage such topics as self-knowledge, the nature of the universe, faith and reason, permanence and change, the self and the other, women and men, freedom and determinism, providence, and predestination. The study’s novelty lies both in its use of the interpretation of art to understand traditional philosophical problems and the theory it proposes concerning the nature of interpretation. The clarity of the discussion and an engaging style make it accessible to a wider audience.
Table des matières
List of Illustrations
Preface
1. Art and Philosophy
2. Carlos Estévez and His Art
Part 1: Philosophical Interpretations of Est é vez ’ s Works Knowledge
3. Know Thyself
4. I Am Myself and My Circumstances
5. Everything We Know Is Numbers
6. No Man Knows the Whole Truth
7. Faith Seeks Understanding Reality
8. You Cannot Step into the Same River Twice
9. No Part of the Whole Is Empty
10. There Is No New Thing under the Sun
11. The Living Creature Is a World Order in Miniature Society
12. Negotiating Identities
13. What Then Is a Race?
14. Imagined Communities
15. I-Thou
16. Male and Female Destiny
17. The Will Does Not Desire of Necessity
18. The Very Hairs of Your Head Are All Numbered
19. God Has Predestined His Elect
Part 2: Philosophical Interpretations and Art
20. Interpretation
21. Art
22. Philosophical Interpretations of Art
Appendices
Appendix 1 Interview with Carlos Estévez
Appendix 2 Carlos Estévez’s Biographical Chronology
Appendix 3 Carlos Estévez’s Images of Thought, Exhibition Checklist
Notes
Bibliography
Index
A propos de l’auteur
Jorge J. E. Gracia is Distinguished Professor of Philosophy and Comparative Literature at the University at Buffalo, State University of New York. His many books include Painting Borges: Philosophy Interpreting Art Interpreting Literature; Images of Thought: Philosophical Interpretations of Carlos Estévez’s Art; and Identity, Memory, and Diaspora: Voices of Cuban-American Artists, Writers, and Philosophers, all published by SUNY Press.
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