Theatres of Immanence: Deleuze and the Ethics of Performance is the first monograph to provide an in-depth study of the implications of Deleuze’s philosophy for theatre and performance. Drawing from Goat Island, Butoh, Artaud and Kaprow, as well from Deleuze, Bergson and Laruelle, the book conceives performance as a way of thinking immanence.
Table des matières
List of Illustrations Acknowledgements Introduction Immanent Authorship: From the Living Theatre to Cage and Goat Island Disorganizing Language, Voicing Minority: From Artaud to Carmelo Bene, Robert Wilson & Georges Lavaudant Immanent Imitations, Animal Affects: From Hijikata Tatsumi to Marcus Coates Paying Attention, Participating in the Whole: Allan Kaprow Alongside Lygia Clark Ethical Durations, Opening to Other Times: Returning to Goat Island with Wilson In-Conclusion: What ‘Good’ is Immanent Theatre? Immanence as an Ethico-aesthetic Value Coda Bibliography Index
A propos de l’auteur
Laura Cull Ó Maoilearca is Head of the Department of Theatre & Dance at the University of Surrey, UK. Her most recent books are
Theatres of Immanence: Deleuze and the Ethics of Performance (2012; 2015) and
Encounters in Performance Philosophy (2014) co-edited with Alice Lagaay. Her other publications include
Deleuze and Performance (2009) and
Manifesto Now! Instructions for Performance, Philosophy, Politics (2013) co-edited with Will Daddario. She is core convener of Performance Philosophy and joint series editor of the Performance Philosophy book series with Palgrave Macmillan.
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