Of all building types, the skyscraper strikes observers as the most modern, in terms not only of height but also of boldness, scale, ingenuity, and daring. As a phenomenon born in late nineteenth-century America, it quickly became emblematic of New York, Chicago, and other major cities. Previous studies of these structures have tended to foreground examples of more evincing modernist approaches, while those with styles reminiscent of the great Gothic cathedrals of Europe were initially disparaged as being antimodernist or were simply unacknowledged. Skyscraper Gothic brings together a group of renowned scholars to address the medievalist skyscraper—from flying buttresses to dizzying spires; from the Chicago Tribune Tower to the Woolworth Building in Manhattan.
Drawing on archival evidence and period texts to uncover the ways in which patrons and architects came to understand the Gothic as a historic style, the authors explore what the appearance of Gothic forms on radically new buildings meant urbanistically, architecturally, and socially, not only for those who were involved in the actual conceptualization and execution of the projects but also for the critics and the general public who saw the buildings take shape.
Contributors:
Lisa Reilly on the Gothic skyscraper ● Kevin Murphy on the Trinity and U.S. Realty Buildings ● Gail Fenske on the Woolworth Building ● Joanna Merwood-Salisbury on the Chicago School ● Katherine M. Solomonson on the Tribune Tower ● Carrie Albee on Atlanta City Hall ● Anke Koeth on the Cathedral of Learning ● Christine G. O’Malley on the American Radiator Building
Table des matières
Acknowledgments
Introduction: Skyscraper Gothic from Nineteenth-Century Origins to Postmodern Expressions
Design and Study of the Past: The Gothic Skyscraper
The Gothics of Francis Kimball: From Nineteenth-Century Revivals to the Early Skyscraper
Medievalism, Mysticism, and Modernity in Early Twentieth-Century New York: Cass Gilbert’s ‘Skyscraper Gothic’
The Gothic Revival and the Chicago School: From Naturalistic Ornament to Constructive Expression
Tribune Tower: Medievalism and Memory in the Wake of the Great War
Forward Atlanta: G. Lloyd Preacher and the Atlanta City Hall
Gothic with an American Accent: The Cathedral of Learning
Radiant Heat and Glowing Lights: Raymond Hood’s American Radiator Building
Selected Bibliography of Published Sources
Notes on Contributors
Index
A propos de l’auteur
Kevin D. Murphy, Andrew W. Mellon Chair in the Humanities and Professor and Chair of History of Art at Vanderbilt University, is the author of Memory and Modernity: Viollet-le-Duc at Vézelay. Lisa Reilly, Associate Professor and Chair of Architectural History at the University of Virginia, is the author of An Architectural History of Peterborough Cathedral.
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