Labors Lost offers a fascinating and wide-ranging account of working women’s behind-the-scenes and hitherto unacknowledged contributions to theatrical production in Shakespeare’s time. Natasha Korda reveals that the purportedly all-male professional stage relied on the labor, wares, ingenuity, and capital of women of all stripes, including ordinary crafts- and tradeswomen who supplied costumes, props, and comestibles; wealthy heiresses and widows who provided much-needed capital and credit; wives, daughters, and widows of theater people who worked actively alongside their male kin; and immigrant women who fueled the fashion-driven stage with a range of newfangled skills and commodities.
Combining archival research on these and other women who worked in and around the playhouses with revisionist readings of canonical and lesser-known plays, Labors Lost retrieves this lost history by detailing the diverse ways women participated in the work of playing, and the ways male players and playwrights in turn helped to shape the cultural meanings of women’s work. Far from a marginal phenomenon, the gendered division of theatrical labor was crucial to the rise of the commercial theaters in London and had an influence on the material culture of the stage and the dramatic works of Shakespeare and his contemporaries.
Table des matières
Note on Spelling and Dates
Prologue
Chapter 1. Labors Lost
Chapter 2. Dame Usury
Chapter 3. Froes and Rebatos
Chapter 4. Cries and Oysterwives
Chapter 5. False Wares
Epilogue
Notes
Bibliography
Index
Acknowledgments
A propos de l’auteur
Natasha Korda is Professor of English at Wesleyan University. She is the author of Shakespeare’s Domestic Economies: Gender and Property in Early Modern England, also available from University of Pennsylvania Press.
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