Sherlock Holmes and Dr. Watson delve into the world of art forgery in this new historical mystery from the author of Sherlock Holmes and the Telegram from Hell.
London, 189–: In the dead of winter, the great city is brought to a standstill by a series of blizzards and Sherlock Holmes is bored to distraction. It would take a miracle to bring a case to the detective’s door. . .What arrives is not promising: a landlady who complains to Holmes that her artist tenant is behind on his rent. Not exactly the miracle for which Holmes was hoping. But, next thing you know, there are several corpses and Sherlock Holmes and his amanuensis, Dr. Watson, find themselves drawn into one of the most bizarre cases of the great detective’s career. And into the cutthroat big business of Art, where chicanery, mendacity (and cut throats), proliferate.
What makes a work of art valuable? Worth killing for? Dying for? Is it the painter, his mistress, his dealer, or his blackmailer?
The cast of characters is large. But are they perpetrators, accomplices, or victims? And just who is Juliet Packwood, with whom Watson has become infatuated?
Oh, and there’s one other problem: Is this a genuine Holmes case or a clever forgery? Is this the real thing?
If you can’t tell the difference, what is the difference?
A propos de l’auteur
Nicholas Meyer is the “editor” of several Watson manuscripts, including The Seven-Per-Cent Solution, which spent forty weeks on the New York Times bestseller list. His screenplay of the film received an Oscar nomination. His film credits include writing and directing Star Trek II: The Wrath of Khan, Star Trek IV: The Voyage Home, and Star Trek VI: The Undiscovered Country. He wrote and directed Time After Time, co-created Medici: Masters of Florence, and directed The Day After, about nuclear war that attracted the largest audience ever for a television movie. A native of New York City, he lives in Santa Monica, California.
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