Catalog > Science spirituelle > Art / Architecture > Photographie, film, vidéo, télévision > Paul S. Varner: Westerns (PDF)

Paul S. Varner
Westerns [PDF ebook]
Paperback Novels and Movies from Hollywood

Support

Couverture du Paul S. Varner: Westerns (PDF)

Whatever we might think of them, popular Westerns, both movies and cheap paperbacks on the newsstand racks, have had a powerful impact on both U.S. culture and Western European culture in general. Collected here are new studies from a variety of critical approaches of popular Westerns by scholars from the U.S., the U.K., and Europe, new studies of classic William S. Hart, John Ford, Clint Eastwood, and Sam Peckinpah film Westerns as well as new studies of seldom studied writers such as James Warner Bellah, Clarence Mulford, Charles Portis, and Oakley Hall.

€65.07

Achetez cet ebook et obtenez-en 1 de plus GRATUITEMENT !

Format PDF ● Pages 235 ● ISBN 9781443802352 ● Éditeur Paul S. Varner ● Maison d’édition Cambridge Scholars Publishing ● Publié 2008 ● Téléchargeable 6 fois ● Devise EUR ● ID 2617115 ● Protection contre la copie Adobe DRM

Nécessite un lecteur de livre électronique compatible DRM

Plus d’ebooks du même auteur(s) / Éditeur

Paul Varner Paul S. Varner

26 324 Ebooks dans cette catégorie

Couverture du Wendy Helsby: Understanding Representation

Wendy Helsby: Understanding Representation

This is the third book in the »Understanding the Moving Image » series. Like other books in the series, it aims to provide a strong critical and theoretical base for the study of the media. It has b …

Couverture du Michael W. Thomas: Popular Ethiopian Cinema

Michael W. Thomas: Popular Ethiopian Cinema

This book shines much-needed light on the history, structures and films of the Amharic film industry in Ethiopia. Focusing on the rise of the industry from 2002, until today, and embedded in archival …

Couverture du Will Studdert: The Jazz War

Will Studdert: The Jazz War

During World War II, jazz embodied everything that was appealing about a democratic society as envisioned by the Western Allied powers. Labelled `degenerate » by Hitler »s cultural apparatus, jazz wa …

Couverture du Sue Thornham: What If I Had Been the Hero?

Sue Thornham: What If I Had Been the Hero?

Sue Thornham »s study explores issues in feminist filmmaking through an examination of a wide range of films by women filmmakers, ranging from the avant-garde to mainstream Hollywood, and from the 19 …

Couverture du Richard Roud: Godard

Richard Roud: Godard

Richard Roud »s Godard, first published in 1967 as »Number One » in the seminal Cinema One series, was the first monograph on the great film-maker to be published in English, and one that reveals a …

Couverture du Dr Julius Greve & Dr Florian Zappe: The American Weird

Dr Julius Greve & Dr Florian Zappe: The American Weird

Hitherto classified as a form of genre fiction, or as a particular aesthetic quality of literature by H. P. Lovecraft, the weird has now come to refer to a broad spectrum of artistic practices and ex …

Couverture du Dr Sebastian Buckle: Homosexuality on the Small Screen

Dr Sebastian Buckle: Homosexuality on the Small Screen

Television provides a unique account of the development of a homosexual identity across the western world, emerging as it did when ideas around sex and sexuality were themselves only just beginning t …

Couverture du Roy Perkins & Martin Stollery: British Film Editors

Roy Perkins & Martin Stollery: British Film Editors

Most of the Directors I »ve worked with needed someone to talk to who is deep inside the heart of the movie. – Mick Audsley, Film Editor Film editing is understood by the industry to be one of the mo …

Couverture du Paul Coates: Cinema and Colour

Paul Coates: Cinema and Colour

Cinema and Colour: The Saturated Image is a major new critical study of the use of colour in cinema. Using the dialectic of colour and monochrome as a starting point, Paul Coates explores the symboli …

Couverture du Rick Altman: Film/Genre

Rick Altman: Film/Genre

Film/Genre revises our notions of film genre and connects the roles played by industry critics and audiences in making and re-making genre. Altman reveals the conflicting stakes for which the genre g …

Page suivante >>>