Rebecca Cypess & Nancy Sinkoff 
Sara Levy’s World [PDF ebook] 
Gender, Judaism, and the Bach Tradition in Enlightenment Berlin

A rich interdisciplinary exploration of the world of Sara Levy, a Jewish salonnière and skilled performing musician in late eighteenth-century Berlin, and her impact on the Bach revival, German-Jewish life, and Enlightenment culture.


Sara Levy née Itzig (1761-1854), a salonnière, skilled performing musician, and active participant in enlightened Prussian Jewish society, played a powerful role in shaping the dynamic cultural world of late eighteenth- and earlynineteenth-century Berlin. A patron and collector of music, she studied harpsichord with Wilhelm Friedemann Bach (1710-84) and commissioned musical compositions from both Friedemann and his brother Carl Philipp Emanuel Bach (1714-88). Archival evidence demonstrates Levy’s position as an essential link in the transmission of the music of their father, Johann Sebastian Bach (1685-1750), and as a catalyst for the ‘Bach revival’ of the early nineteenth century, which was led by her great-nephew Felix Mendelssohn.



Sara Levy’s World: Gender, Judaism, and the Bach Tradition in Enlightenment Berlin represents the first scholarly exploration of the cultural, political, and aesthetic contexts that shaped Levy’s world. Bringing together leading scholars from the fields of musicology, Jewish Studies, history, literary studies, gender studies, and philosophy, this volume presents cutting-edge, multidisciplinary research on the numerous mutually reinforcing aspects of Levy’s life and work.


Contributors: Rebecca Cypess, Marjanne E. Goozé, Barbara Hahn, Martha B. Helfer, Natalie Naimark-Goldberg, Elias Sacks, Yael Sela, Nancy Sinkoff, George B. Stauffer, Christoph Wolff, Steven Zohn


Rebecca Cypess is Associate Professor of Music at Rutgers University. Nancy Sinkoff is Associate Professor of Jewish Studies and History and Director ofthe Center for European Studies at Rutgers University.

Table des matières

Introduction: Experiencing Sara Levy’s World

Part One: Portrait of a Jewish Female Artist: Music, Identity, Image

What Was the Berlin Jewish Salon Around 1800?

Sara Levy’s Musical Salon and Her Bach Collection

Remaining Within the Fold: The Cultural and Social World of Sara Levy

Women’s Voices in Bach’s Musical World: Christiane Mariane von Ziegler and Faustina Bordoni

Part Two: Music, Aesthetics, and Philosophy: Jews and Christians in Sara Levy’s World

Lessing and the Limits of Enlightenment

Poetry, Music, and the Limits of Harmony: Mendelssohn’s Aesthetic Critique of Christianity

Longing for the Sublime: Jewish Self-Consciousness and the St. Matthew Passion in Biedermeier Berlin

Part Three: Studies in Sara Levy’s Collection

Duets in the Collection of Sara Levy and the Ideal of ‘Unity in Multiplicity’

The Sociability of Salon Culture and Carl Philipp Emanuel Bach’s Quartets

Appendix: The Salonnière and the Diplomat: Letters from Sara Levy to Karl Gustav von Brinckmann

Bibliography

List of Contributors

Index