Shakespeare’s Theatre: A History examines the theatre spaces used by William Shakespeare, and explores these spaces in relation to the social and political framework of the Elizabethan era. The text journeys from the performing spaces of the provincial inns, guild halls and houses of the gentry of the Bard’s early career, to the purpose-built outdoor playhouses of London, including the Globe, the Theatre, and the Curtain, and the royal courts of Elizabeth and James I. The author also discusses the players for whom Shakespeare wrote, and the positioning–or dispositioning–of audience members in relation to the stage.
Widely and deeply researched, this fascinating volume is the first to draw on the most recent archaeological work on the remains of the Rose and the Globe, as well as continuing publications from the Records of Early English Drama project. The book also explores the contentious view that the ‘plot’ of The Seven Deadly Sins (part II), provides unprecedented insight into the working practices of Shakespeare’s company and includes a complete and modernized version of the ‘plot’. Throughout, the author relates the practicalities of early modern playing to the evolving systems of aristocratic patronage and royal licensing within which they developed
Insightful and engaging, Shakespeare’s Theatre is ideal reading for undergraduates, postgraduates, and scholars of literature and theatre studies.
Table des matières
Preface
Introduction
Chapter One: The Early Years
Chapter Two : Possible Beginnings
Chapter Three: Shakespeare on the Record and the Stages of 1594: Newington Butts, the Theatre, Greenwich Palace, and Gray’s Inn
Chapter Four: The Chamberlain’s / King’s Men and their Organization
Chapter Five: A Stormy Passage, from the Theatre, via the Curtain, to the Globe
Chapter Six: ‘The Great Globe Itself’
Chapter Seven: A New Reign
Chapter Eight: The Blackfriars
Appendix 1 Chamberlain’s/King’s Men’s Plays 1594-1614, other than by Shakespeare
Bibliography
Index
A propos de l’auteur
Richard Dutton is Professor of English at Queen’s University, Belfast, and Humanities Distinguished Professor of English (Emeritus) at Ohio State University. His books include, Shakespeare, Court Dramatist (2016) and Ben Jonson, ‘Volpone’ and the Gunpowder Plot (2008). He is co-editor of the four volume Companion to Shakespeare’s Works (with Jean E. Howard, Wiley Blackwell, 2003).
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