Using a performance studies lens, this book is a study of performance in the post-9/11 context of the so-called war on terror. It analyzes conventional theatre, political protest, performance art and other sites of performance to unpack the ways in which meaning has been made in the contemporary global sociopolitical environment.
Table des matières
Acknowledgements Bushismo Protest: Visible and Invisible War the Video Game Torture: Simulated and Real Obamania Bibliography Index
A propos de l’auteur
DR SARA BRADY Assistant Professor at Bronx Community College/City University of New York, USA. She received her Ph D from the Department of Performance Studies at New York University. With Fintan Walsh she edited the collection
Crossroads: Performance Studies and Irish Culture (Palgrave, 2009). Her writing has appeared in
TDR: The Drama Review,
American Theatre magazine, and
New Hibernia Review.
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