Table des matières
Acknowledgments
Notes on Contributors
Introduction, by Ido Lewit and Shai Biderman
Part I. The Cinematic Kafka
Kafka, Rumour, Early Cinema: Archaic Moving Pic...
Table des matières
Acknowledgments
Notes on Contributors
Introduction, by Ido Lewit and Shai Biderman
Part I. The Cinematic Kafka
Kafka, Rumour, Early Cinema: Archaic Moving Pictures, by Paul North
Sebald Goes to the Movies: Reading Kafka as Cinematography, by Nimrod Matan
The Ghost Is Clear: The POV of the Daydreamer, by Laurence A. Rickels
Moving Pictures—Visual Pleasures: Kafka’s Cinematic Writing, by Peter Beicken
To Move as the Image Moves: The Rule of Rhythmic Presence and Absence in Kafka’s The Man Who Disappeared, by Tobias Kuehne
Noises Off: Cinematic Sound in Kafka’s ‘The Burrow’, by Kata Gellen
Gesture, Wardrobe, Backdrop and Prop in Franz Kafka’s The Man Who Disappeared and Peter Weir’s The Truman Show, by Idit Alphandary
The Possibility of the Cinematic in ‘The Metamorphosis’ and ‘The Burrow’, by Kevin W. Sweeney
Part II. The Kafkaesque Cinema
‘The Essential Is Sufficient’: The Kafka Adaptations of Orson Welles, Straub-Huillet and Michael Haneke, by Martin Brady and Helen Hughes
K., the Tramp, and the Cinematic Vision: The Kafkaesque Chaplin, by Shai Biderman
‘The Medium Is the Message’: Cronenberg ‘Outkafkas’ Kafka, by Iris Bruce
The Absurdity of Human Existence: ‘The Metamorphosis’ and The Fly, by William J. Devlin and Angel M. Cooper
‘This Is Not Nothing’: Viewing the Coen Brothers Through the Lens of Kafka, by Ido Lewit
The Face: K. and Keaton, by Omri Ben-Yehuda
Translating Kafka into Italian: Kafkaesque Themes in Eilo Petri’s Films, by Fernando Gabriel Pagnoni Berns and Leonardo Acosta Lando
Epilogue: A Personal Quest Into the Cinematic Kafkaesque
Magic, Mystery and Miracle: Re-spiralling Marker and Kafka, by Dan Geva
Transcribing Kafka Into Film: A Tortuous Love-Story, by Henry Sussman
Index
