This book offers a new history and theory of modern celebrity. It argues that celebrity is a cultural apparatus that emerged in response to the Romantic industrialization of print and culture. It investigates the often strained interactions of artistic endeavour and commercial enterprise, and the place of celebrity culture in history of the self.
Table des matières
List of Figures and Tables Preface Acknowledgements Abbreviated Titles Romantic Celebrity ‘An Ode to the Framers of the Frame Bill’: The Embarrassment of Industrial Culture Childe Harold’s Pilgrimage : Beginning the Hermeneutic of Intimacy Scopophilia and Somatic Inscription in Byron’s Verse Tales The Visual Discourse of Byron’s Celebrity The Handling of Hebrew Melodies Childe Harold Canto Three: Rewriting Reading Don Juan : Celebrity and the Subject of Modernity Envoi Bibliography Index
A propos de l’auteur
TOM MOLE is Assistant Professor of English at Mc Gill University, Canada. He is the editor of a volume of
Blackwood’s Magazine 1817-1825 (2006) and has published articles in
Romanticism, the
Keats-Shelley Journal, the
Byron Journal and
Nineteenth-Century Contexts.
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