Beginning with his first film Reconstruction, released in 1970, Theo Angelopoulos’s notoriously complex cinematic language has long explored Greece’s contemporary history and questioned European culture and society. The Cinematic Language of Theo Angelopoulos offers a detailed study and critical discussion of the acclaimed filmmaker’s cinematic aesthetics as they developed over his career, exploring different styles through which Greek and European history, identity, and loss have been visually articulated throughout his oeuvre, as well as his impact on both European and global cinema.
Table des matières
Note on the transliteration
Introduction: Prolegomena to Theo Angelopoulos’ Life and Filmmaking
Chapter 1. Life and Works
Chapter 2. The Life of Films
Chapter 3. The Construction of Theo Angelopoulos’ Cinematic Language
Conclusion: Final Words
Photo Essay: Transformations of the Gaze in Theo Angelopoulos’ Films
Filmography
Bibliography
A propos de l’auteur
Vrasidas Karalis teaches Modern Greek Studies at the University of Sydney. He is the author of Realism in Greek Cinema (Bloomsbury, 2017), and A History of Greek Cinema (Bloomsbury, 2011).
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