Frederick Rolfe’s novel ‘Hadrian the Seventh’ is a captivating exploration of power, ambition, and spirituality. Written in a unique style that combines satire and subtle humor, Rolfe’s work stands out in the literary context of early 20th-century English literature. The novel follows the story of George Arthur Rose, a rejected poet who unexpectedly becomes Pope and takes on the name Hadrian VII, navigating the complexities of the Vatican and the political landscape of Europe. Rolfe’s rich descriptions and introspective narrative provide a thought-provoking insight into the nature of authority and the human experience. The book also delves into themes of identity, religion, and the struggle for significance. Frederick Rolfe, a complex and enigmatic figure himself, drew upon his own aspirations and failures to create this masterpiece. With a keen eye for detail and a sharp wit, Rolfe meticulously crafts a narrative that challenges readers to question both society and the self. ‘Hadrian the Seventh’ is a must-read for those interested in literature that pushes boundaries and explores the complexities of human ambition.
About the author
Frederick Rolfe, also known as Baron Corvo, was a unique figure in English literature known for his eccentricity and the novel ‘Hadrian the Seventh.’ Born on July 22, 1860, in London, Rolfe’s life was one of fluctuating fortunes and constant wanderings. Rolfe’s literary creations are marked by his elaborate prose style and the recurrent themes of personal fantasy and Roman Catholicism. His most renowned work, ‘Hadrian the Seventh’ (1904), stands as a remarkable concoction of satirical fantasy and autobiographical elements. In this novel, an outcast English writer, much like Rolfe himself, is unexpectedly elected Pope. Through this allegorical narrative, Rolfe expresses his complex relationship with the Church; he had converted to Catholicism in the 1880s and unsuccessfully sought to become a priest, an experience that left him embittered and profoundly influenced his literary output. Rolfe’s inimitable style coupled with his self-fashioned persona, complete with the assumed title of ‘Baron, ‘ has granted him a distinctive place in literature. His works are studied for their idiosyncratic artistry and insight into the psychobiographical dimensions of his life, marked by conceit, failed priestly ambitions, and penury. Despite a life plagued by financial hardship and a reputation that oscillated between genius and charlatan, Frederick Rolfe died in relative obscurity in Venice on October 25, 1913, leaving behind a unique and indelible mark on English letters.
