When their father’s death leaves them with no money and a dim future, the Madden sisters, Alice, Virginia, and Monica, must negotiate the gender roles and class constraints of Victorian London in the 1890s. Virginia and Alice have aged out of the possibility of marriage and seemingly the idea of love itself and find themselves with few prospects and little hope. Remaindered in the marriage equation, these “odd women” face a great deal of scrutiny, stigma, and social pressure—it’s at this time that Rhoda Nunn, childhood friend to the Madden sisters, arrives in London to challenge accepted norms and mores around the role of women in society. Rhoda’s strong feminist passion draws a sharp contrast to the middle-class respectability of the Madden sisters’ upbring, as the sisters watch a new world emerge around them.
Hailed as a prescient and boldly political novel of the early feminist movement, Gissing’s
The Odd Women captures all of the absurdity, brutality, and even comedy of Victorian attitudes around gender and class, and the brilliant women who dared to be odd and to conceive of their role in society beyond their value on the marriage market.
About the author
Brandon Taylor is the author of the novels The Late Americans and Real Life, which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a New York Times Book Review Editors’ Choice and a Science + Literature Selected Title by the National Book Foundation. His collection Filthy Animals, a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He is the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers. He is an Acquiring Editor at Unnamed Press and co-founder of Smith & Taylor Classics.
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