Alain-Fournier’s poems, while relatively few, are one of the small pearls washed up in the maelstrom of early twentieth-century France. Best known for his novel Le Grand Meaulnes, a posthumous classic, Alain-Fournier was killed in battle in 1914. His poems suspend a pre-war French idyll of warm evenings and rained-on orchards, silk-banded straw hats, lamp-lit farmhouses – and young love reaching out ‘in the frightening dark, with timid fingers’. His lines fluoresce with the pain of memories which cannot be re-lived, and they combine elements of Symbolism, Impressionism and Imagism. The sun is an ambivalent force in these poetic narratives, which transform themselves as if they were dreams. The music of Debussy, the writings of Laforgue, and the paintings of Renoir can also be detected under the surface of Alain-Fournier’s verse, which is provided here in a comprehensive English translation for the first time.
About the author
Alain-Fournier was the pseudonym of Henri-Alban Fournier, a French author and soldier. He was the author of a single novel, Le Grand Meaulnes (1913), which has been twice filmed and is considered a classic of French literature. In 1914 he started work on a second novel, Colombe Blanchet, but this remained unfinished when he joined the Army as a lieutenant in August. He died fighting near Vaux-les-Palameix (Meuse) one month later, on 22 September 1914. His body remained unidentified until 1991, when he was interred in the cemetery of Saint-Remy-la-Calonne.Most of his writing was published posthumously: Miracles (a volume of poems and essays) in 1924, his correspondence with Jacques Rivière in1926 and his letters to his family in 1930. His notes and sketches for Colombe Blanchet have also been published.
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