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The world of theatre criticism is rapidly changing in its form, function and modes of operation in the twenty-first century. The dominance of the internet has led to a growing trend of selfappointed …

The performing arts are uniquely capable of translating a vision of an ideal or sacred reality into lived practice, allowing an audience to confront deeply held values and beliefs as they observe a p …

First Published in 1996. This volume contains the finest and most detailed descriptions of the Japanese enthronement ceremonies and imperial regalia available in the English language. Privately print …

Focusing on eighteenth-century cultural productions, Wendy Sutherland examines how representations of race in philosophy, anthropology, aesthetics, drama, and court painting influenced the constructi …

The genre of mélodrame à grand spectacle that emerged in the boulevard theatres of Paris in the 1790s – and which was quickly exported abroad – expressed the moral struggle between good and evil thr …

P’ansori is the quintessential traditional Korean musical drama, in which epic tales are sung and narrated by a solo singer accompanied by a drummer. Drawing on her extensive research in Korea and it …

The creation of the new Globe Theatre in London has heightened interest in Shakespeare performance studies in recent years. The essays in this volume testify to this burgeoning research into issues s …

NEW YORK TIMES 100 NOTABLE BOOKS OF 2017In the middle of the sprawling Zaatari refugee camp, Dominic Dromgoole watches from the makeshift wings as Hamlet delivers one of his celebrated soliloquies. F …

Jokes have always been part of African culture, but never have they been so blended with the strains and gains of the contemporary African world as today. Joke-Performance in Africa describes and ana …

This title was first published in 2003. In this new socio-cultural study of the history of the theatre in early modern England, author Paola Pugliatti investigates the question of why, in the Tudor a …