Modern art can be confusing and intimidating–even ugly and blasphemous. And yet curator and art critic Daniel A. Siedell finds something else, something much deeper that resonates with the human experience. With over thirty essays on such diverse artists as Andy Warhol, Thomas Kinkade, Diego Velazquez, Robyn O’Neil, Claudia Alvarez, and Andrei Rublev, Siedell offers a highly personal approach to modern art that is informed by nearly twenty years of experience as a museum curator, art historian, and educator.
Siedell combines his experience in the contemporary art world with a theological perspective that serves to deepen the experience of art, allowing the work of art to work as art and not covert philosophy or theology, or visual illustrations of ideas, meanings, and worldviews.
Who’s Afraid of Modern Art? celebrates the surprising beauty of art that emerges from and embraces pain and suffering, if only we take the time to listen. Indeed, as Siedell reveals, a painting is much more than meets the eye.
So, who’s afraid of modern art? Siedell’s answer might surprise you.
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Robyn O’Neil was born in Omaha, Nebraska in 1977, and currently lives in Los Angeles, California. Her work was included in the 2004 Whitney Biennial. She is the recipient of numerous grants and awards, including a Joan Mitchell Foundation Grant. O’Neil has had several traveling solo museum exhibitions in the United States, and has been included in numerous acclaimed group museum exhibitions both domestically and internationally. She also received a grant from the Irish Film Board for a film written and art directed by her entitled ‘WE, THE MASSES’ which was conceived of at Werner Herzog’s Rogue Film School.Her work is represented by Susan Inglett Gallery in New York City, Talley Dunn Gallery in Dallas, and Western Exhibitions in Chicago.