“An oblique comedy of menace, unsettling, exquisitely wrought and written . . . a complex excursion into the by now familiar Pinter world of mixed reality and fantasy, of human worth and human degradation.” —New York Times
Set against the decayed elegance of a house in London’s Hampstead Heath, in
No Man’s Land two men face each other over a drink. Do they know each other, or is each performing an elaborate character of recognition? Their ambiguity—and the comedy—intensify with the arrival of two younger men, the one ostensibly a manservant, the other a male secretary. All four inhabit a no man’s land between time present and time remembered, between reality and imagination—a territory which Pinter explores with his characteristic mixture of biting wit, aggression, and anarchic sexuality.
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Harold Pinter (1930-2008) is one of the twentieth century’s most highly recognized dramatists. He was awarded the Nobel Prize in Literature, the David Cohen British Literature Prize for a lifetime’s achievement in literature, and the Laurence Olivier Award for a lifetime’s achievement in theatre, as well as many other honors. His best-known plays include
The Birthday Party,
The Caretaker,
The Homecoming,
No Man’s Land, and
Betrayal.
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