लेखक: Ingrid Richardson

The i Phone represents an important moment in both the short history of mobile media and the long history of cultural technologies. Like the Walkman of the 1980s, it marks a juncture in which notions …

The i Phone represents an important moment in both the short history of mobile media and the long history of cultural technologies. Like the Walkman of the 1980s, it marks a juncture in which notions …

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This book directs critical attention to one of the most ubiquitous and yet under-analyzed games,  Minecraft. Drawing on three years of ethnographic fieldwork into mobile games in Australian …

Digital games are one of the most significant media interfaces of contemporary life.  Games today interweave with the social, economic, material, and political complexities of living in a digita …

Digital games are one of the most significant media interfaces of contemporary life.  Games today interweave with the social, economic, material, and political complexities of living in a digita …

Digital games are one of the most significant media interfaces of contemporary life.  Games today interweave with the social, economic, material, and political complexities of living in a digita …

How mobile games are part of our day-to-day lives and the ways we interact across digital, material, and social landscapes.We often play games on our mobile devices when we have some time to kill-wai …

Have you ever considered how mobile media change what we see, hear and pay attention to, or how they alter our movement through the city? Over the last decade, mobile media and communication technolo …

Have you ever considered how mobile media change what we see, hear and pay attention to, or how they alter our movement through the city? Over the last decade, mobile media and communication technolo …

What does later life look like when it is lived in the companionship of other species? Similarly, how do other species age (or not) with humans, and what sort of (a)symmetries, if any, are brought to …

Data excess – particularly in digital media research – is inevitable. It emerges as the ‘debris’ and ‘leftovers’ from planning, fieldwork and writing; the words cut from drafts and copied to untouche …

Data excess – particularly in digital media research – is inevitable. It emerges as the ‘debris’ and ‘leftovers’ from planning, fieldwork and writing; the words cut from drafts and copied to untouche …