Assembly Lines asks what it means to be here and now, in post-industrial towns and cities of the heartlands that are forever on the periphery. From schools and workplaces and lives lived in ‘a different town, just like this’, these poems take a historical perspective on the present day from the ground upwards – whether the geological strata that underpins a ‘dithering island’ or the ever-moving turf under a racehorses’ hooves.
This is a new Midlands realism, precision-engineered, which seeks wonderment in unlikely places. By turns both fierce and tender, the poems in Jane Commane’s first book-length collection re-assemble the landscape, offer up an alternative national curriculum and find ghosts and strange magic in the machinery of the everyday. Between disappearances and reformations, the natural and the man-made, the lines are drawn; you might try to leave your hometown, but it will never leave you.
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Jane Commane was born in Coventry and lives and works in Warwickshire. Her first full-length collection, Assembly Lines, was published by Bloodaxe in 2018. Her poetry has featured in anthologies including The Best British Poetry 2011 (Salt Publishing) and Lung Jazz: Young British Poets for Oxfam (Cinnamon) and in magazines including Anon, And Other Poems, Bare Fiction, Iota, Tears in the Fence and The Morning Star. She has been a poet in residence at the Brontë Parsonage in Haworth, and has led many writing workshops in a variety of locations, including in museums, castles, city centres, orchards and along riverbanks. In 2016, she was chosen to join Writing West Midlands’ Room 204 writer development programme. A graduate of the Warwick Writing Programme, for a decade she also worked in museums and archives. Jane is editor at Nine Arches Press, co-editor of Under the Radar magazine, co-organiser of the Leicester Shindig poetry series, and is co-author (with Jo Bell) of How to Be a Poet, a creative writing handbook and blog series. In 2017 she was awarded a Jerwood Compton Poetry Fellowship.
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