Between 1967 and 1976 a number of extraordinary factors converged to produce an uncommonly adventurous era in the history of American film. The end of censorship, the decline of the studio system, economic changes in the industry, and demographic shifts among audiences, filmmakers, and critics created an unprecedented opportunity for a new type of Hollywood movie, one that Jonathan Kirshner identifies as the ‘seventies film.’ In Hollywood’s Last Golden Age, Kirshner shows the ways in which key films from this period—including Chinatown, Five Easy Pieces, The Graduate, and Nashville, as well as underappreciated films such as The Friends of Eddie Coyle, Klute, and Night Moves—were important works of art in continuous dialogue with the political, social, personal, and philosophical issues of their times.
These ‘seventies films’ reflected the era’s social and political upheavals: the civil rights movement, the domestic consequences of the Vietnam war, the sexual revolution, women’s liberation, the end of the long postwar economic boom, the Shakespearean saga of the Nixon Administration and Watergate. Hollywood films, in this brief, exceptional moment, embraced a new aesthetic and a new approach to storytelling, creating self-consciously gritty, character-driven explorations of moral and narrative ambiguity. Although the rise of the blockbuster in the second half of the 1970s largely ended Hollywood’s embrace of more challenging films, Kirshner argues that seventies filmmakers showed that it was possible to combine commercial entertainment with serious explorations of politics, society, and characters’ interior lives.
विषयसूची
Prologue1. Before the Flood2. Talkin’ ’bout My Generation3. 1968, Nixon, and the Inward Turn4. The Personal Is Political5. Crumbling Cities and Revisionist History6. Privacy, Paranoia, Disillusion, and Betrayal7. White Knights in Existential Despair8. Businessmen Drink My WineAppendix: 100 Seventies Films of the Last Golden AgeNotes
Index
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Jonathan Kirshner is Professor of Government at Cornell University. He is the author most recently of Appeasing Bankers: Financial Caution on the Road to War and the coeditor of The Future of the Dollar, also from Cornell.
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