Without the nineteen upstate reservoirs that supply its water, New York City as we know it would not exist today.
“[Sante] is an endlessly curious writer with a sharp wit and an elegant prose style . . . As a physical object, the book is a stunner, loaded with maps, archival stills of the construction process, vintage postcards, and ads warning New Yorkers to check their plumbing and ‘stop that leak!’”—The Wall Street Journal
This paradox of victory and loss is at the heart of
Nineteen Reservoirs, Lucy Sante’s meticulous account of how New York City secured its seemingly limitless fresh water supply, and why it cannot be taken for granted. In inimitable form, Sante plumbs the historical record to surface forgotten archives and images, bringing lost places back to life on the page. Her immaculately calibrated sensitivity honors both perspectives on New York City’s reservoir system and helps us understand the full import of its creation.
An essential history of the New York City region that will reverberate far beyond it,
Nineteen Reservoirs examines universal divisions in our resources and priorities—between urban and rural, rich and poor, human needs and animal habitats. This is an unmissable account of triumph, tragedy, and unintended consequences.
With 29 present-day photographs by Tim Davis
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Lucy Sante was born in Verviers, Belgium, and is the author of ten books, her first being Low Life (FSG, 1991). Sante’s other books include Evidence, The Factory of Facts, Kill All Your Darlings, The Other Paris, Folk Photography, Maybe the People Would Be the Times, and I Heard Her Call My Name. She is the recipient of a Whiting Award, Guggenheim and Cullman fellowships, an Award in Literature from the American Academy of Arts and Letters, a Grammy (for album notes), and an Infinity Award for Writing from the International Center of Photography. Sante has contributed to the New York Review of Books since 1981 and to many other publications. She recently retired after twenty-four years teaching at Bard College.