Electronic open-access edition funded by the National Endowment for the Humanities.
Covering from 1915 to the present, this book deals with the role that artists and intellectuals have played regarding projects of European integration. Consciously or not, they partake of a tradition of Euroskepticism. Because Euroskepticism is often associated with the discourse of political elites, its literary and artistic expressions have gone largely unnoticed. This book addresses that gap.
Taking Spain as a case study, author Luis Martín-Estudillo analyzes its conflict over its own Europeanness or exceptionalism, as well as the European view of Spain. He ranges from canonical writers like Unamuno, Ortega y Gasset, and Zambrano to new media artists like Valeriano López, Carlos Spottorno, and Santiago Sierra. Martín-Estudillo provides a new context for the current refugee crisis, the North-South divide among EU countries, and the generalized disaffection toward the project of European integration.
The eclipsed critical tradition he discusses contributes to a deeper understanding of the notion of Europe and its institutional embodiments. It gives resonance to the intellectual and cultural history of Europe’s ‘peripheries’ and re-evaluates Euroskeptic contributions as one of the few hopes left to imagine ways to renew the promise of a union of the European nations.
विषयसूची
Acknowledgments ix
Introduction: A Cultural Poetics of Spanish Euroskepticism 1
PART ONE Europe on the Horizon 25
1 The Location of Dissent: Spanish Exiles and the European Cataclysm 27
2 Sense and Sensuousness: Approaching Europe under Franco’s Dictatorship 57
PART TWO Examining the Union from Within 89
3 Unanimity in Question 91
4 On the Move in a Static Europe 127
5 The Great Recession and the Surge of Euroskepticism: A Pigs’ Tale 173
Epilogue: A Plea for Creative Euroskepticism 197
Notes 201
References 217
Index 233
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Luis Martín-Estudillo is a professor and Collegiate Scholar at the University of Iowa. He is executive editor of the Hispanic Issues series.
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