‘Towards the Supernoumenon’ is a substantial compilation of spiralling ‘supernotes’, or loosely aphoristic material, that takes an artificially antithetical position to Schopenhauer, the great early-nineteenth century German philosopher, by positing, in supra-Nietzschean vein, a progression, on the plane of artificial modernity, from phenomenon to noumenon, as though in contrast to anything traditionally naturalistic and effectively alpha-stemming. The cover art might well, with its ‘chopper’ on high, serve to illustrate an omega-oriented position contrary to the above and therefore approximate to the so-called ‘supernoumenon’ of the title.