First Published in 1981. Pater is certainly the least widely read and understood of any of the Victorian critics and creative writers, though there are signs of a coming revival of interest in him. Each of the discussions included in this issue devoted to Pater touches, in some significant way, on his ‘imaginative sense of fact, ‘ on his struggle with the objective ‘givens’ of experience (ideas or individuals), and on his efforts to co-opt or turn that Other into a reordered reflection of his own image.
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