Pohlmann Jens Pohlmann 
Creation of an Avant-Garde Brand [PDF ebook] 
Heiner Mueller’s Self-Presentation in the German Public Sphere

This illuminating study charts the changing role of the Hollywood film sequel over the past century. Considering a range of sequels in their industrial, historical and aesthetic contexts, from The So …

Why do we think of clusters of films as ”national cinema”? Why has the relationship between the nation and film become so widely and uncritically accepted? ”Theorising National Cinema” is a major …

Media Law for Producers is a comprehensive handbook that explains, in lay terms, the myriad legal issues that the producer will face on a regular basis – contracts, permits, defamation, patents, rele …

Of all the world s cinemas, Japan”s is perhaps unique in its closeness to the nation”s literature, past and contemporary. The Western world became aware of this when Akira Kurosawa”s Rashomon was …

‘This book is the first to explore the interaction of three media in contemporary Spain. Focusing on some of the best known and most important books, feature films, and television series in the count …

This is a critical exploration of analytic and Continental philosophies of film, which puts film-philosophy into practice with detailed discussions of three filmmakers. The book includes philosophica …

Written by an author with over 30 years of working experience, this book takes a practical, thorough look at the duties and skills of art directors and production designers. It teaches readers how to …

By the turn of the 21st century, animation production has grown to thousands of hours a year in the People’s Republic of China (PRC). Despite this, and unlike American blockbuster productions and the …

Typically, studies of early cinema’s relation to literature have focused on the interactions between film and modernism. When film first emerged, however, it was naturalism, not modernism, competing …

Drawing on the work of contemporary French philosopher Jean-Luc Nancy, Cinema and Contact investigates the aesthe-tics and politics of touch in the cinema of three of the most prominent and distincti …