Whither Quo Vadis? offers an engaging account of how the
Roman world and its history are represented in film and the way in
which the different adaptations reflect the shifting historical
situations and ideological concerns of their own times.
* * Explores five surviving film adaptations – Guazzoni’s of
1912; D’Annunzio/Jacoby of 1925; Mervyn Le Roy’s of 1951; the
Italian TV mini-series of 1985 by Franco Rossi; and
Kawalerowicz’s 2001 Polish version
* Examines how these different versions interpret, select from,
and modify the novel and the ancient sources on which it is
based
* Offers an exceptionally clear view of how films have presented
ancient Rome and how modern conditions determine its
reception
* Looks at rare and archival material which has not previously
received close scholarly attention
विषयसूची
List of Illustrations ix
Acknowledgments x
1 Novel and Film 1
2 Adapting the Narrative 16
Sienkiewicz’s Novel: Adapting the Story 16
Focalizers, Judgments, and Petronius 22
Petronius as Focal Character 28
Seeing and Mapping Rome 42
3 Gender and Ethnicity 55
Marcus and Lygia 55
Petronius and Eunice 57
Pomponia 61
Gender Roles in Public and Private Life 63
Ethnicity and Gender Roles in the 1985 Version 70
Adaptations in the 2001 Version 80
4 Political Institutions, Political Subtexts 88
Political Implications of the Silent Versions 91
Fascists and Communists: The 1951 and 2001 Films 94
The Complex Allusions of the 1985 Miniseries 97
Foreign Policy in the Films 116
The Military in the 1951 Version 118
The Arrival of Galba 124
5 The Roman People 139
6 Religion and Religious Authority in Quo Vadis? 173
Paganism 173
Judaism 178
Christianity: Ritual, Theology, and Confl ict in
Sienkiewicz’s Novel 185
Transmitting a Tradition: Sermons in Novel and Film 188
The Representation of the Scriptures 190
Radicals: Crispus 194
Mainstream Christianity: Peter and Paul 200
Conclusion 211
7 Conclusions 219
8 Exkursus: Chilo’s Mother 223
A Peculiarity of the German Translations of Quo Vadis? 223
Description of the Films 227
Synopsis of the Novel and the Film Versions of Quo Vadis 230
References 266
Index of Ancient Sources 275
Index of Personal Names 279
Index of Things and Places 285
लेखक के बारे में
Ruth Scodel is D. R. Shackleton Bailey Collegiate Professor
of Greek and Latin at the University of Michigan. She is the author
of Listening to Homer (2002) and Epic Facework:
Self-Presentation and Social Interaction in Homer (2008).
Anja Bettenworth is Assistant Professor of Latin at the
University of Münster. She is the author of Gastmahlszenen
in der antiken Epik von Homer bis Claudian. Diachrone
Untersuchungen zur Szenentypik (2004).
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