This edited collection is the first book to that focus on the intersection between dance, disability and law. Bringing together a range of writers from different disciplines, this volume considers the question of how we value, validate and speak about diversity in performance practice with a specific focus on the experience of differently-abled dance artists within the changing world of the arts in the UK. Dance, Disability and Law addresses the legal frameworks that support or otherwise the work of disabled dancers (including IPR, human rights and medical law) and explore factors that impact on their full participation, including those related to policy, arts funding, dance criticism and audience reception. By bringing together leading voices, this book makes an important contribution to several fields, and in particular the disciplines of dance, law, philosophical aesthetics, disability studies and spectatorship in performance.
विषयसूची
Preface
Introduction
Section I: Disability, Dance and Critical Frameworks
Disabled Dance: Barriers to Proper Inclusion within Our Cultural Milieu
Cultural Heritage and the Unseen Community
An Analysis of Reporting and Monitoring in Relation to the United Nations Convention on the Rights of Persons with Disabilities, the Right to Participation in Cultural Life and Intellectual Property
A Dance of Difference: The Tripartite Model of Disability and the Cultural Heritage of Dance
In a Different Light? Broadening the Bioethics Perspective through Dance
Interruptions 1-3
Section II: Disability, Dance and the Demands of a New Aesthetic
A Wondering (in Three Parts)
A New Foundation: Physical Integrity, Disabled Dance and Cultural Heritage
Disability and Dance: The Disabled Sublime or Joyful Encounters?
Moving Towards a New Aesthetic: Dance and Disability
What We Can Do with Choreography, and What Choreography Can Do with Us
Dancing Identity: The Journey from Freak to Hero and Beyond
Dance Disability and Aesthetics: A Changing Discourse
Interruptions 4-6
Section III: Disability, Dance and Audience Engagement
The (Disabled) Artist Is Present
Disability, Disabled Dance Audiences and the Dilemma of Neuroaesthetic Approaches to Perception and Interpretation
Finding It When You Get There
Interruptions 7-9
Policy Brief for Venues: Providing Space. Obligations and Approaches to Dancers with Different Bodies
Position Brief for Dancers. Policy Brief: Asserting Copyright
Policy Brief: For Dancers
Blog Posts from Resilience and Inclusion
Interruptions 10-12
Annex 1: Blog Postings
Annex 2: Policy Briefs
Notes on Contributors
Index
लेखक के बारे में
Dr Shawn Harmon is a Deputy Director at the Mason Institute, and specialises in medical law, health research regulation and the governance of converging technologies. He has investigated the interaction between law and ethics in the regulation of genomics and biotechnologies both domestically and internationally.
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