A man walks into a Birmingham bookshop, buys a volume of poetry, and steps out into the road, where a jazz musician seems momentarily to bring the whole city together. In the second poem in Playing the Changes, the same thing happens, only half the words are redacted. Then the experience is retold as a Petrarchan sonnet; a children's skipping rhyme; an Acknowledgements page; a pastiche of Tristram Shandy…
Drawing on the traditions of jazz improvisation and Oulipo, a literary movement where writing arises from extreme formal restriction, Playing the Changes sees Simon Turner decomposing and recomposing one of his own poems in a variety of forms and styles. The result is a hymn to the pleasures of music, reading, writing, and city life, humming with a joyous experimental energy. In Turner's linguistic hall of mirrors, the English language is always at serious, delirious play.
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Artist-printmaker Mark Andrew Webber specialises in painstakingly-researched typographic and geometric projects, including his ‘Where in the World’ series of enormous city maps and ‘FORM’, a six-part study of line and form. In 2007, Webber was awarded a Silver Cube award from the Art Directors Club of New York. His first solo exhibition, ‘Wonderlust’, was on display at the Londonewcastle Project Space in London in 2014. He collaborated with poet Jacqueline Saphra on her pamphlet If I Lay on my Back I Saw Nothing but Naked Women (Emma Press, 2014), illustrating her poems with linocuts inspired by his lifedrawing sketches. He is based in Reading.
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