Arguing that the cultures of small nations offer vital insights into the way people relate to national identity in a globalized world, Theatre and Performance in Small Nations features an array of case studies that examine the relationships between theatre, performance, identity and the nation. These contributions cover a wide range of national contexts, including small ‘stateless’ nations such as Catalonia, Scotland and Wales; First Nations such as indigenous Australia and the Latino United States; and geographically enormous nations whose relationships to powerful neighbours radically affect their sense of cultural autonomy.
विषयसूची
Introduction – Steve Blandford
Chapter 1: Location, Location, Location: Plays and Realities: Living Between the Pre-modern and the Postmodern in Irish Theatre – Cathy Leeney
Chapter 2: Processes and Interactive Events: Theatre and Scottish Devolution – Ian Brown
Chapter 3: Theatre and Performance in a Devolved Wales – Steve Blandford
Chapter 4: Contemporary Catalan Theatre and Identity: The Haunted Mirrors of Catalan Directors’ Shakespeares – Helena Buffery
Chapter 5: Tales from the Wild East – Goran Stefanovski
Chapter 6: A National Theatre in New Zealand? Why/Not? – Sharon Mazer
Chapter 7: Between Pride and Shame: A Dialogic Consideration of Honour Bound and Reconciliation! What’s the Story? in Pursuit of an Australian National Identity – Rea Dennis
Chapter 8: Under the Radar: Latin@/Hispanic Theatre in North Texas – Teresa Marrero
Chapter 9: Challenging Racial Categorisation Through Theatre: English-language Theatre in Malaysia – Susan Philip
Chapter 10: From Springtime Erotics to Micro-nationalism: Altering Landscapes and Sentiments of the Assamese Bihu dance in North-east India – Aparna Sharma
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Steve Blandford is professor of theatre, film, and television, and director of the Centre for the Study of Media and Culture in Small Nations at the University of Glamorgan.
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