Theo Kobusch & Michael Erler 
Metaphysik und Religion [PDF ebook] 
Zur Signatur des spätantiken Denkens / Akten des Internationalen Kongresses vom 13.-17. März 2001 in Würzburg

"The Golden Asse" is an ancient classical story book written by Lucius Apuleius. The plot revolves spherical Lucius, a younger man who experiments with magic and is transformed right into a …

This book uses the mythological hero Heracles as a lens for investigating the nature of heroic violence in Archaic and Classical Greek literature, from Homer through to Aristophanes. Heracles was fam …

This is the endorsed publication from OCR and Bloomsbury for the Latin AS and A-Level (Group 1) prescription of Cicero”s Philippic II sections 44–50 (… viri tui similis esses) and 78 ( C. Caesari ex …

Pindar-the ”Theban eagle”, as Thomas Gray famously called him-has often been taken as the archetype of the sublime poet: soaring into the heavens on wings of language and inspired by visions of ete …

Situated within contemporary posthumanism, this volume offers theoretical and practical approaches to materiality in Greek tragedy. Established and emerging scholars explore how works of the three ma …

In a much-needed comprehensive introduction to Silius Italicus and the Punica, Jacobs offers an invitation to students and scholars alike to read the epic as a thoughtful and considered treatment of …

Prometheus Bound is a play beloved of revolutionaries, romantics and rebels, with a fierce optimism tempered by an acute awareness of the compromises, dangers and obsessions of political action. This …

The Metamorphoses or Golden Ass of Apuleius (ca. 170 CE) is a Latin novel written by a native of Madauros in Roman North Africa, roughly equal to modern Tunisia together with parts of Libya and Alger …

First published in 1987, this is a critical edition of the 1647 text by the Scottish author Alexander Ross which offered the Renaissance reader not only a wealth of factual information concerning the …

Winner of the PROSE Award (2022) for Classics This book argues for a new way of reading tragedy that attends to how bodies in the ancient plays pivot between subject and object, person and thing, liv …