Wolfram’s Parzival continues to inspire and influence, in modern times works as diverse as Wagner’s Parsifal and Lohengrin, Franz Kafka’s The Castle, Terry Gilliam’s film The Fisher King, and Umberto Eco’s Baudolino.
Vast in its scope, incomparably dense in its imagery, Wolfram von Eschenbach’s
Parzival ranks alongside Dante’s
Divine Comedy as one of the foremost narrative works to emerge from medieval Europe. This book is a newtranslation of
Parzival, together with the fragments of the
Titurel, an elegiac offshoot of
Parzival, and the nine love-songs attributed to Wolfram.
Parzival is the greatest of the medieval Grail romances. In its depth and complexity of characterisation this work of the early thirteenth century anticipates the modern novel. It encompasses deeds of chivalry, tournaments and sieges, courtly love, and other erotic undertakings, but also sin and penance, and a deeply moving study in depression. Centre stage are the Grail Castle and Arthur’s Round Table, but the pagan world of the Orient also is also reflected.
Parzival has inspired and influenced works as diverse as Wagner’s
Parsifal and
Lohengrin, Franz Kafka’s
The Castle, Terry Gilliam’s film
The Fisher King, and Umberto Eco’s
Baudolino. Cyril Edwards’ thoughtful translation vividlyconveys the power of this complex, wide-ranging medieval masterpiece.
CYRIL EDWARDS is a lecturer in German at St Peter’s College and Research Fellow of the Faculty of Medieval and Modern Languages, University of Oxford. He is the author of
The Beginnings of German Literature (Camden House, 2002), and numerous articles on the medieval lyric and Old High German. His previous translations include Hans Sachs’s ‘Song of the Nose’ for the King’s Singers, Bernhard Maier’s
Dictionary of Celtic Religion and Culture (Boydell & Brewer, 1997) and
The Medieval Housebook (Prestel-Verlag, 1997).
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