Harris Peter James Harris 
From Stage to Page [PDF ebook] 
Critical Reception of Irish Plays in the London Theatre, 1925-1996

London”s West End is a global success story, staging phenomenal hit shows that have delighted millions of spectators and generated billions of pounds in revenue. In Good Nights Out, Aleks Sierz prov …

Verse Drama in England, 1900-2015 provides a critical and historical exploration of a tradition of modern dramatic creativity that has received very little scholarly attention. Exploring the emergenc …

Wig Making and Styling: A Complete Guide for Theatre and Film, Second Edition is the one-stop shop for the knowledge and skills you need to create and style wigs. Covering the basics, from styling to …

This practical handbook is invaluable for anyone performing, teaching, studying or simply wanting a new way to enjoy Shakespeare. It provides an outline of Meisner”s work and legacy, a discussion of …

Bringing together the previously disparate fields of historical witchcraft, reception history, poetics, and psychoanalysis, this innovative study shows how the glamour of the historical witch, a spel …

What skills did Shakespeare”s actors bring to their craft? How do these skills differ from those of contemporary actors? Early Modern Actors and Shakespeare”s Theatre: Thinking with the Body examin …

This volume focuses on hospitality as a theoretically and historically crucial phenomenon in Shakespeare”s work with ramifications for contemporary thought and practice. Drawing a multifaceted pictu …

Cultural materialism is one of the most important and one of the most provocative theories to have emerged in the last thirty years. Combining close attention to Shakespearean texts and the condition …

The APPLIED THEATRE series is a major innovation in applied theatre scholarship: each book presents new ways of seeing and critically reflecting on this dynamic and vibrant field. Volumes offer a the …

This ground breaking collection of essays is the first to examine the phenomenon of how, in the twenty-first century, Shakespeare has been experienced as a ”live” or ”as-live” theatre broadcast b …