Die Beiträge dieses Bandes beschäftigen sich mit französisch-, italienisch- und spanischsprachigen literarischen und filmischen Werken der letzten 25 Jahre, die von einer neuen Art realistischen Erzählens in der Romania zeugen. Neben inhaltsspezifischen Auseinandersetzungen steht die Beantwortung folgender Fragen im Zentrum der Analysen: Welcher narrativen Instrumente bedienen sich die Werke, um Authentizität zu vermitteln? Welche Wirkung entfalten literarische oder filmische Hybride aus Fiktion und Dokumentar, Journalismus, Reportage, Sachtext? Welche Funktion erfüllen Intertextualität, Inter- und Transmedialität im Rahmen realistischen Schreibens? Gibt es Formen der ‘Ich-Erzählung’, die als Authentizitätsmarker fungieren? Handelt es sich um eine Wiederaufnahme älterer Realismen oder entsteht etwas völlig Neues?
The contributions of this anthology deal with realistic works of the past 25 years in Romance literature, film and series, with a focus on content-related and formal aspects that are based on the following questions: To what extent are the narratives engaged? Can an educational and didactic gesture be recognized? Which narrative instruments do the works use to convey authenticity? What effect do literary or cinematic hybrids of fiction and documentary, journalism, reportage, non-fiction have? What function do intertextuality, inter- and transmediality fulfill in the context of realistic writing? To what extent can the subject be rehabilitated? Are there (old and new) forms of ‘first-person narration’ that act as markers of authenticity (writing between autobiography and autofiction, diary, etc.)? Can a paradigm shift be identified? Is it a resumption of older realisms or is something completely new emerging? Are there epoch-spanning characteristics of realistic writing?
The contributions of this anthology deal with realistic works of the past 25 years in Romance literature, film and series, with a focus on content-related and formal aspects that are based on the following questions: To what extent are the narratives engaged? Can an educational and didactic gesture be recognized? Which narrative instruments do the works use to convey authenticity? What effect do literary or cinematic hybrids of fiction and documentary, journalism, reportage, non-fiction have? What function do intertextuality, inter- and transmediality fulfill in the context of realistic writing? To what extent can the subject be rehabilitated? Are there (old and new) forms of ‘first-person narration’ that act as markers of authenticity (writing between autobiography and autofiction, diary, etc.)? Can a paradigm shift be identified? Is it a resumption of older realisms or is something completely new emerging? Are there epoch-spanning characteristics of realistic writing?
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Dr. Julia Brühne wurde 2014 an der Universität Mainz mit einer Arbeit zum spanischen Nachkriegskino promoviert. Seit Mai 2019 ist sie Juniorprofessorin für Transnationale Medienliteraturwissenschaften an der Universität Bremen.Beli ebook ini dan dapatkan 1 lagi GRATIS!
Bahasa Jerman ● Format PDF ● Halaman 364 ● ISBN 9783847013525 ● Ukuran file 7.0 MB ● Editor Julia Brühne & Christiane Conrad von Heydendorff ● Penerbit V&R unipress ● Kota Göttingen ● Negara DE ● Diterbitkan 2021 ● Edisi 1 ● Diunduh 24 bulan ● Mata uang EUR ● ID 8255012 ● Perlindungan salinan tanpa
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