Lyrics of Lowly Life (1896) is a collection of poems by African American author Paul Laurence Dunbar. Published while Dunbar was at a turning point in his career as one of the nation’s leading black poets, Lyrics of Lowly Life combined his hugely successful volumes Oak and Ivy (1892) and Majors and Minors (1896), establishing his reputation as an artist with a powerful vision of faith and perseverance who sought to capture and examine the diversity of the African American experience. In “The Poet and His Song, ” Dunbar compares the art of poetry to tilling the soil, a slow and painstaking process requiring full commitment, body and soul, to the task at hand: “My days are never days of ease; / I till my ground and prune my trees. / When ripened gold is all the plain, / I put my sickle to the grain. / I labor hard, and toil and sweat, / While others dream within the dell; / But even while my brow is wet, / I sing my song, and all is well.” For Dunbar, the reward is the song itself, both an act of labor and a celebration of life, emphasizing the role of the poet as not just a dreamer, but a doer. Throughout this collection, Dunbar explores the role of the poet in society, grounding each poem within his identity as a black man in America. In “Frederick Douglass, ” an elegy written for the occasion of the great man’s passing, Dunbar makes clear the consequences of pride and defiance in a nation built by slaves: “He dared the lightning in the lightning’s track, / And answered thunder with his thunder back.” This edition of Paul Laurence Dunbar’s Lyrics of Lowly Life is a classic of African American literature reimagined for modern readers.
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Paul Laurence Dunbar (1872-1906) was an African American poet, novelist, and playwright. Born in Dayton, Ohio, Dunbar was the son of parents who were emancipated from slavery in Kentucky during the American Civil War. He began writing stories and poems as a young boy, eventually publishing some in a local newspaper at the age of sixteen. In 1890, Dunbar worked as a writer and editor for The Tattler, Dayton’s first weekly newspaper for African Americans, which was a joint project undertaken with the help of Dunbar’s friends Wilbur and Orville Wright. The following year, after completing school, he struggled to make ends meet with a job as an elevator operator and envisioned for himself a career as a professional writer. In 1893, he published Oak and Ivy, a debut collection of poetry blending traditional verse and poems written in dialect. In 1896, a positive review of his collection Majors and Minors from noted critic William Dean Howells established Dunbar’s reputation as a rising star in American literature. Over the next decade, Dunbar wrote ten more books of poetry, four collections of short stories, four novels, a musical, and a play. In his brief career, Dunbar became a respected advocate for civil rights, participating in meetings and helping to found the American Negro Academy. His lyrics for In Dahomey (1903) formed the centerpiece to the first musical written and performed by African Americans on Broadway, and many of his essays and poems appeared in the nation’s leading publications, including Harper’s Weekly and the Saturday Evening Post. Diagnosed with tuberculosis in 1900, however, Dunbar’s health steadily declined in his final years, leading to his death at the age of thirty-three while at the height of his career.