Zhu Jianhua Zhu & Zhao Jin Zhao 
Akten des XIII. Internationalen Germanistenkongresses Shanghai 2015: Germanistik zwischen Tradition und Innovation [PDF ebook] 
Band 13: Plenarvortraege und Podien

First published in 2002. This work examines eight Virginia novels against the background of the political and social concerns of the Jacksonian years in which they were written, arguing that the auth …

‘Since 1975, French literary writing has been marked by an autobiographical turn which has seen authors increasingly often tap into the vein of what the French term ecriture de soi. This coincides, p …

This is Volume IV of Postcolonialism part of a series of critical concepts in literary and cultural studies. This edition includes Part nine and includes works on internal colonialism and subaltern s …

The Arthurian legend closes with a promise: On a distant day, when his country calls, the king will return. His lost realm will be regained, and his shattered dream of an ideal world will, at last, b …

In ‘Different Dispatches’, David Humphries brings together in a new way a diverse group of well-known American writers of the inter-war period including: Willa Cather, Sherwood Anderson, Ernest Hemmi …

Tod Chambers suggests that literary theory is a crucial component in the complete understanding of bioethics. The Fiction of Bioethics explores the medical case study and distills the idea that bioet …

A collection of prefaces, reviews and articles by Americans on American and European fiction. Charted in these three volumes, which span 1776 to 1900, is the movement from anxious defences of the nov …

First published in 1971, this book explores the theme of the pastoral in literature and the way in which it adapts itself to various forms. It examines some of the ways in which it has manifested its …

Drawing on a wide range of Dickens”s writings, including all of his novels and a selection of his letters, journalism, and shorter fiction, Dickens, Family, Authorship provides a provocative account …

Libation Bearers is the ”middle” play in the only extant tragic trilogy to survive from antiquity, Aeschylus” Oresteia, first produced in 458 BCE. This introduction to the play will be useful for …