Caroline Joan S. Picart 
Critical Race Theory and Copyright in American Dance [PDF ebook] 
Whiteness as Status Property

Supporto

The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.

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Tabella dei contenuti

1. Introduction 2. Comparing Aesthetics of Whiteness and Non-Whiteness in Relation to American Dance 3. Loíe Fuller, ‘Goddess of Light, ‘ and Josephine Baker, ‘Black Venus’: Non-Narrative Choreography as Mere ‘Spectacle’ 4. George Balanchine, ‘Genius of American Dance’: Whiteness, Choreography, Copyrightability in American Dance 5. Martha Graham, ‘Picasso of American Dance, ‘ and Katherine Dunham, ‘Matriarch of Black Dance’: Exoticism and Non-Whiteness in American Dance 6. Moving into New Directions: Cunningham and Ailey 7. Conclusions: Quo Vadis?

Circa l’autore

Caroline Joan (Kay) S. Picart, formerly a tenured associate professor of English and Humanities at Florida State University, is a joint Juris Doctor-MA Candidate (WST) at the University of Florida Levin College of Law and an adjunct professor of Humanities at Santa Fe College.

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Lingua Inglese ● Formato PDF ● Pagine 243 ● ISBN 9781137321978 ● Dimensione 5.9 MB ● Casa editrice Palgrave Macmillan US ● Città New York ● Paese US ● Pubblicato 2013 ● Scaricabile 24 mesi ● Moneta EUR ● ID 3090972 ● Protezione dalla copia DRM sociale

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