The poems in Clare Pollard’s new collection Incarnation are about our children and the stories that we tell them. Whether looking at the discourse around pregnancy, describing the pain of childbirth or thinking about surveillance at soft play, they blur the personal and political. Pinocchio, Hamelin, Alice and The Tiger who Came to Tea make appearances alongside biblical tales: the ark, the whale’s belly, the Moses basket in the rushes. There are poems for lost daughters – Amy Winehouse, Madeleine Mc Cann, the victims of honour killings – and lost sons. There are also poems about innocence and responsibility which ask what it means to bring new human beings into this world, and how we shape them through our words.
Circa l’autore
Clare Pollard was born in Bolton in 1978 and lives in London. She has published five collections with Bloodaxe: The Heavy-Petting Zoo (1998), which she wrote while still at school; Bedtime (2002); Look, Clare! Look! (2005); Changeling (2011), a Poetry Book Society Recommendation; and Incarnation (2017). Her translation Ovid’s Heroines was published by Bloodaxe in 2013. Her first play The Weather (Faber, 2004) premièred at the Royal Court Theatre. She works as an editor, broadcaster and teacher. Her documentary for radio, My Male Muse (2007), was a Radio 4 Pick of the Year. She is co-editor, with James Byrne, of the anthology Voice Recognition: 21 poets for the 21st century (Bloodaxe Books, 2009), and co-translator with Mohamed Xasan ‘Alto’ and Said Jama Hussein of Caasha Lul Mohamud Yusuf’s The Sea Migrations (Somali title: Tahriib), published by Bloodaxe Books with The Poetry Translation Centre in November 2017.
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