Drawing on the figure and discourses of the Victorian fin-de-siècle New Woman, this book examines women writers who struggled with conservative, patriarchal ideologies of motherhood in novels, periodicals and life writings of the long modernist period. It shows how these writers challenged, resisted, adapted and negotiated traditional ideas with their own versions of new motherhood, with needs for identities and experiences beyond maternity. Tracing the period from the end of the nineteenth century through the twentieth, this study explores how some of the numerous elements and forces we identify with modernism are manifested in equally diverse and often competing representations of mothers, mothering and motherhood. It investigates how historical personages and fictional protagonists used and were constructed within textual spaces where they engaged critically with the maternal as institution, identity and practice, from perspectives informed by gender, sexuality, nationhood, race and class. The matrifocal literatures examined in this book exemplify how feminist motherhoods feature as a prominent thematic of the long modernist era and how rebellious New Woman mothers provocatively wrote maternity into text and history.
Tabella dei contenuti
Chapter 1: The “persistent rebels” of Maternal Modernism.- Chapter 2: The New Woman, New Modernisms, and New Motherhoods.- Chapter 3: Mothers in New Woman Fiction: “the
terra incognita of herself”.- Chapter 4: “The ‘momentousness’ of motherhood”: Maternal Ideologies, Discourses, and Debates in
The Freewoman: A Weekly Feminist Review and
The Freewoman: A Weekly Humanist Review.- Chapter 5: “The Title Role of ‘Mother’”
: Silent-Film Stardom and Celebrity Maternity in
Photoplay Magazine.- Chapter 6: “Freedom and childbearing”: Prams, Politics, and Literary Life in New Woman Autobiographies of the Interwar Era.- Chapter 7: “A mother, a wife, a worker and a wonder-woman”: Matroethnography, Black Feminism, and Postcolonial New Womanhood in Buchi Emecheta’s London Narratives.- Chapter 8: Coda:
New Womanism in the Twenty-First Century.
Circa l’autore
Elizabeth Podnieks is Professor of English at Toronto Metropolitan University, Canada. Her publications include, among others,
Daily Modernism: The Literary Diaries of Virginia Woolf, Antonia White, Elizabeth Smart and Anaïs Nin; the critical edition
Rough Draft: The Modernist Diaries of Emily Holmes Coleman; and the edited collection
Mediating Moms: Mothers in Popular Culture.
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