Shakespeare”s Dramatic Heritage shows that the drama of Elizabethan and Jacobean England is deeply indebted to the religious drama of the Middle Ages and represents a climax, in secular guise, to mediaeval experiment and achievement rather than a new beginning. This is fully examined in terms of dramatic literature as well as in terms of theatres, stages and production conventions.
The plays studied include: Richard II, A Midsummer Night”s Dream, Hamlet, Macbeth, Coriolanus, The Winter”s Tale and Marlowe”s King Edward II.